2019 Intensive Drawing+Painting Workshop (MANILA)'s Enrollment Cover
2019 Intensive Drawing+Painting Workshop (MANILA)
2019 Intensive Drawing+Painting Workshop (MANILA)
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2019 Intensive Drawing+Painting (Manila)
sale ends on 05/04/19
38,500.00
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Includes all drawing and painting materials
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Includes all materials
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Immerse yourself in the process of the classical masters and develop your drawing and painting skills in the fastest and most effective way. Take time to focus,  discover new techniques and absorb the time-tested teachings of the classical masters. 

(for ages 11 years and above only)

Outline
SUMMARY:
Classical Drawing (Basic) - 8 Sessions
Classical Drawing (Intermediate) - 7 Sessions
Traditional Oil Painting - 15 Sessions

I. Classical Drawing:

Skills-based learning is one of the most effective methods for teaching not only skills in drawing but also in the analysis of artworks. 
In the Classical Drawing course, students will learn to unleash the power of observation. 

Students will learn to recognize the natural world in abstracted form and will be able to break down the pictorial field in abstracted lines, textures, shapes, and values. We at the Atelier believe that honing the student’s visual perception increases his or her visual intelligence regardless of age.
In this course, students will learn a more disciplined drawing process and cultivate a workflow aligned with the atelier approach. The student will learn the ways lines express ideas and be more attuned to planar forms and tones. The student will be able to distinguish the elements of art, learn to identify and correct drawing errors, find accurate angles, and combine lines to form 

MAY 6
Session 1 – Line drawing (Bargue: Level 1) 
Session 2 – Planar forms and shadow shapes (Bargue: Level 2)
MAY 7
Session 3 – Tonal value (Bargue: Level 3)
Session 4 – Rendering Techniques (Bargue: Level 4-5)
MAY 8
Session 5 – Enlarging: Ratio and proportion (Bargue: Level 5)
Session 6 – Subtraction: a. Tonal preparation b. Surface and medium preparation processes
MAY 9
Session 7 – Application of all previous techniques and principles
Session 8 – Sepia rendering process and techniques
ii. CLASSICAL DRAWING (INTERMEDIATE) or Life Drawing Classes:
MAY 10
Session 1 – Enlarging: Ratio and proportion (Review and practice)
Session 2 – Enlarging: Ratio and proportion (Review and practice)
MAY 13
Session 3 – Plaster cast drawing
Session 4 – Plaster cast drawing
MAY 14
Session 5 – Plaster cast drawing
Session 6 – Live model portraiture
MAY 15
Session 7 -Live nude model

II. Oil Painting Basic and Advance:

The Galvez Atelier Oil Painting Workshops introduce the student to the materials, medium, techniques and processes in creating traditional oil paintings. The classes teach the proper techniques in rendering spatial depth and volume, layering, and color harmonies. Students will learn to paint alla prima, a technique of mixing colors on canvas and completing an artwork in one sitting. 
Let Galvez Atelier introduce you to the world of color harmonies, light and shadow, spatial depth, and more. Traditional Oil Painting classes equip students with the proper techniques in mixing colors on canvas and completing an artwork even in one sitting. 

1. Under painting and Imprimatura
MAY 15
Session 1 – Preparing the initial stage for painting
MAY 16
Session 2 – Light and shadow study
Session 3 – Transferring the image to the canvas
2. Limited Palette and Alla Prima
MAY 17
Session 4 – 2 colors plus black and white
MAY 17
Session 5 – 2 colors plus black and white (continue)
MAY 20
Session 6 – Application of the wet on wet technique
Session 7 – Application of the wet on wet technique
3. Grisaille,Glazing and Scumbling
MAY 21
Session 8 – Developing grisaille as underpainting
MAY 21
Session 9 – Developing grisaille as underpainting
MAY 22
Session 10 – Developing grisaille as underpainting
MAY 22 
Session 11 - Developing grisaille as underpainting
MAY 23
Session 12 – Applying transparent pigment by glazing or scumbling
Session 13 – Finishing (continuation)
MAY 24
Session 14 – Finishing (continuation)
Session 15 – Finishing (continuation)
Speaker/s

Instructor 1- for Classical Drawing Basic and Traditional Oil Painting Grisaille to Scumbling

ALFRED GALVEZ

Founder and Atelier Director
Instructor for Intensive Drawing+Painting Workshops (Manila and Davao)
Apprenticeship Program (Manila and Davao)
and Decorative Painting (Murals, Chinoiserie, Grotesque, Floral Painting)

Alfred Galvez was exposed to Filipino masters at an early age. After spending much of his childhood in Davao City, he studied at the Philippine Highschool for the Arts in Makiling, Laguna. Eventually, Galvez studied Fine Arts at the University of the Philippines Diliman. At 17, he became an apprentice of Mariano Madarang from the Philippine Women’s University. He trained in the restoration and conservation of the paintings of Fernando Amorsolo, Carlos Francisco, Felix Resurreccion Hidalgo, and Juan Luna. Keen to develop his expertise, Alfred travelled to international shores in 2007 and studied under Marco Cavallini. The Bottega Arte in Florence, Italy is esteemed for trompe l’oeil techniques. Aside from the traditional Florentine approach to murals, the studio was also known for the architectural illusionistic technique called quadraturism. The artistic practice of Galvez ranges from portraits, murals, faux finishes transform the abode into a resplendent space. Alfred Galvez established AG murals in 2003. Together with younger muralists, he established MIKRA FAUX. The Kuwentong Diwata Series of Alfred Galvez have enthralled many art audiences and have been exhibited in galleries in Metro Manila. Pinoiserie, a series inspired by Filipino rural sceneries and leitmotifs invented by Galvez was also well received by gallerists and interior design specialists

Instructor 2- for Classical Drawing Intermediate (Life Drawing) and Traditional Oil Painting Limited Palette and Alla Prima

Ricky Ambagan

Instructor for Alla Prima (Short Course
Intensive Drawing+Painting Co-Instructor

Ricky Ambagan is a graduate of the University of the Philippines Diliman College of Fine Arts. To his credit are numerous solo exhibitions in art galleries in Manila, most of them staged in Galerie Anna. He has also participated in group exhibitions in Galerie Anna, Art Anton, Galerie Roberto, to name only a few. Ambagan has also exhibited at the Art Fair Philippines, Manila Art, the Erehwon Center for the Arts, and the National Museum. He has participated in several art competitions under the Government Services Insurance System, Philippine Art Awards, the Art Association of the Philippines, Metrobank, Petron, Shell, and others sponsored by companies from the private sector. While Ambagan believes that talent is innate, he insists on the value of discipline and hard work to “awaken the sleeping giant” in all of us. For Ambagan, Galvez Atelier will provide the basic foundations for being a good artist. “Before you break rules or foundations, make sure you first acquire the rules and proper foundation,” he says. 

 

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Galvez Atelier is a home for artists and art students who want to immerse in the fine and decorative arts. It is a creative learning hub where students can watch artist-teachers at work. The atelier offers a space for contemplation and creation for artists, so that their ideas make flourish and take material form. The entire structure is a residence repurposed into an atelier, with spaces allotted for an office, art production, and year-round art classes. The year-round art classes include drawing, painting, and faux finishes and decorative painting. Galvez Atelier also offers an apprenticeship program.

About the Founder:
Alfred Galvez studied Fine Arts at the University of the Philippines. His practice ranges from portraits, murals, faux finishes transform the abode into a resplendent space. He established AGmurals in 2003-2014. Galvez was exposed to Filipino masters at an early age. At 17, he was an apprentice of Dean Mariano Madarang from the Philippine Women’s University. He was then trained in the restoration and conservation of the paintings of Fernando Amorsolo, Carlos Francisco, Felix Resurreccion Hidalgo and Juan Luna. Keen to develop his expertise, Alfred studied under Marco Cavallini and Alison Grace Woolley in 2007. The Bottega Arte in Florence, Italy was esteemed for trompe l’oeil techniques. Aside from the traditional Florentine approach to murals, the studio was also known for architectural illusionistic techniques seen in ceiling paintings that seem to transform the earthly realm with dramatic lighting effects.

In 2013, along with two fellow artists, he opened the very first Classical Drawing and Traditional Oil Painting workshops studio in Kamuning, Quezon City. Since then, his art workshops have continued to teach foundations of art to students across ages, delighting students both young and old. His art workshops are most sought after by those who are preparing for an art career and those who choose to begin by learning the secrets of the Old Masters.
Contact Us
contact number
Quezon City, , 11
contact number
6217811
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